2022 was an uncharacteristically quiet year for the usually uber-prolific Richard Youngs, but on January 1st a fantastic new, name your own price, digital album 'Live at the Creation Room' appeared on his Bandcamp page, followed on February 1st by 'Back to the Creation Room'. I sense a theme developing. I wonder what the day after tomorrow will bring?
Here's Richard in PIL-era John Lydon jamming with Jaki Liebezeit mode from January's release.
'This Stupid World', Yo La Tengo's 17th album, is a title that I think we can all get behind...in fact if anything it's far too mild a descriptor for the present day state of the planet. Work initially commenced on the record back in 2020 before being interrupted by the pandemic. Following further sessions in late 2021 and throughout 2022, the LP was finally released a couple of weeks ago. The band visit these shores in April for three dates as part of their world tour. The London Palladium on the 14th sounds enticing to me if anyone else is up for it.
My water-themed photo arrived over at John Medd's gaff too late in the day to be included in his new monthly series last week, so here, rather belatedly, it is. Following a few days of biblical rainfall in mid-January, the local temperatures, to quote the Pythons, didn't so much fall as plummet. The gallons of standing water round these parts, became huge puddles of ice overnight - treacherous, but quite attractive. I ventured out one morning, slipping and sliding all over the place, to fire off a few shots with John's project in mind. This one, taken by the side of the river, though not a particularly large example, is a favourite from the bunch. By this time the sky was blue and the sun piercingly bright, casting shadows of the rushes across the ice. Apologies for my tardiness John, I'll attempt to be more on the ball this month.
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Several of my musical heroes took to their laptops during lockdown, to offer livestreamed shows - Christina Alden & Alex Patterson performed a few, Ed Kuepper beamed in a handful from Australia and Robyn Hitchcock never stopped doing them and is now at the 300 mark. Alasdair Roberts played just the one, but it was memorable indeed. He generally very rarely performs any Appendix Out material these days, but his livestreamed show surprised us all by being entirely made up of acoustic interpretations of some of his very earliest recordings. In June 2020 Alasdair consolidated his look in the rear-view mirror with the release of The Songs of My Boyhood, 11 acoustic reworkings of songs from the Appendix Out catalogue, including Ice Age, in its original incarnation the band's 1995 debut single.