In 1995, four years after the demise of Danny Wilson, Gary Clark formed King L. That year and into the next I crossed paths with the band several times in and around my part of the world, supporting in large venues or headlining in smaller ones. King L released an album, 'Great Day For Gravity', and two singles during their short existence, with the material ranging from polished pop to gnarly guitar workouts. Their recordings have a not-quite-the-finished-article quality about them in places, with a couple of the b-sides being little more than demos. I'm not sure that Clark fully settled on what he wanted the band to actually be. One night in concert I saw them crank it out as if they were Neil Young & Crazy Horse and on another they delivered a mellow, almost acoustic set. Either way, I wish they'd stuck at it. There are at least half a dozen really top notch songs on 'Great Day For Gravity', some co-written with Boo Hewerdine, and the unfulfilled promise of much more to come.
Showing posts with label King L. Show all posts
Showing posts with label King L. Show all posts
Tuesday, 13 July 2021
Subscribe to:
Posts (Atom)
Greatest Hits
-
I bumped into Henry Parker's music for the first time at a folk festival a couple of years back, where I sat open-mouthed, wondering qui...
-
At one time or another, many of us music nerds will have felt the comfortable certainty of finding a record label that we could trust absolu...
-
Where some artists introduce themselves with a straightforward, self-titled debut, Nicaraguan/American Dagmar Zuniga offered 'in filth y...
-
Gosh, ' Evergreen in Your Mind ' is a gorgeous album. Juni Habel's third LP, her first in three years, is a warm affair, gently ...
-
Howdy one and all. I hope I find everyone in good health in these strange and uncertain times. My recent (and probably ongoing) low profi...
