Journey with me, back to 1984. At the time I
was a branch manager in a small chain
of independent record shops - a happy time,
if you exclude the owner of the business from
the picture. He was highly skilled at making
my life, and that of every other manager in
the chain, a misery. But let's not dwell on
the negative. Towards the end of 1984 the
staff in our store each compiled our own
personal top 20 singles and LP's of the year
and I recently unearthed the original
handwritten copy of my selections, thirty
years on.
Taking a look through my singles list,
I was initially surprised to see three reggae
tunes included, as I'm sometimes quick to dismiss any reggae made after 1980. An erroneous generalisation on my part. Aswad's last great moment,
'Chasin For the Breeze', Patrick Andy's
melancholic 'Regular Heartbreaker' and
Michael Palmer's wicked 'Lick Shot', still sound great to these ears.
Elsewhere, two singles apiece from The Smiths,
REM and Bruce Springsteen made it into my top
20. The first Smiths LP and 'Reckoning' were
massively important records for me, but, in
retrospect, 1984 was a funny old year for
this long-term Springsteen fan. A brace of unforgettable live shows rubbed shoulders with a
very commercial album that I find difficult
to listen to now. 'Dancing in the Dark'
certainly wouldn't be at No.1 if I made the list
today.
Clay Allison was the name on the sticker of
an American import EP I bought in 1984,
though by that time the band had re-christened themselves as Opal. The line-up
featured Kendra Smith from The Dream
Syndicate and former Rain Parade guitarist
David Roback. Smith was replaced by Hope
Sandoval in 1987 and the duo later found
success as Mazzy Star.
The debut Jesus &
Mary Chain single was an extraordinary thing
to play in the shop, in amongst the endless
Nik Kershaw, Sade and Miami Sound Machine
tosh. I wasn't destined to become a long time
fan of the band, but 'Upside Down' remains a
quite magnificent racket. Frankie Goes to Hollywood's 'Two Tribes' is
that rarest of beasts, a massive, virtually
omnipresent, hit single that I never got
tired of hearing. At the other end of the
popularity spectrum was Float Up CP, a band
who emerged from the ashes of Rip Rig +
Panic, issued one fine album to a largely
indifferent public, before disintegrating.
Four years later, lead singer Neneh Cherry
would release 'Buffalo Stance' and have her
own massive hit single.
Glancing down the remainder of my favourite singles of 1984, I'm pleased to note that there are no absolute stinkers, no major regrets about what I included (though what I omitted is another matter - no 'C.R.E.E.P.' for example. What was I thinking?). Next time, I'll take a look at my top 20 LPs from 1984. Anyone care to guess what might have made the list?