One evening after school in 1971, a pal played me 'Get It On' by T.Rex. I was
11 years old at the time and when I listened
to the record it was as if a black and white
curtain had been pulled aside, to reveal a vivid
technicolour world beyond. It was a personal
musical revelation. A life-changing moment.
So I've had roughly 44 years to consider what
I might say, should I one day be lucky enough
to meet Tony Visconti, the producer of 'Get
It On' and of many subsequent records that
ended up in my collection. I had a close call
once, on a bitingly cold Winter afternoon in
mid-1990's New York, when we passed each
other on the street. We were both wrapped up
against the fierce sub-zero winds so that our
faces were only partially visible, but I
recognised him instantly and also instantly
decided that I wasn't going to disturb him in
those hostile circumstances. I've quietly
regretted that decision ever since.
On Wednesday evening (after this show) I
found myself in a queue, edging ever closer
to Tony Visconti, who was seated signing
autographs a few feet away. I had just a
couple of minutes of those 44 years left to
decide what words I could possibly use to, A) adequately summarise what a profound effect
the music he's produced has had on my life,
and B) not sound like a gushing buffoon.
As I drew level with him, Tony looked up,
smiled and said 'Hello'. This was my moment.
'Do you mind if I shake your hand?' I said.
His smile broadened as he gripped my hand
firmly. Quite suddenly I knew exactly what I
should say. I didn't need a to make a grand
statement or sweeping gesture to encapsulate
the years of pleasure this man's work had
given me. The solution was far simpler and
more obvious than that.
'Thank you', I said, shaking his hand warmly
and blinking back the stinging in my eyes. 'Thank you.'
55 songs in 55 days - one for every year of
my life...so far.
Modelling my Sunday best in 1962.
1962 was a good year for Bernard Cribbins. He
scored two big hit singles with 'Hole in the
Ground' and 'Right Said Fred', popular tunes
on the BBC's Family Favourites radio
programme throughout my childhood. Often
overlooked nowadays though, is Bernard's
third hit that year, 'Gossip Calypso'. For
some reason this one is vividly etched in my
memory. Perhaps it's Cribbins' breathless
rat-a-tat delivery or maybe it's the unique use
of the phrase 'oxyacetylene welder' in a pop
record, but this song has always stuck.
'Gossip Calypso' was written by Trevor
Peacock. Latterly a noted TV actor, in the
1960s Peacock penned songs for the likes of
Joe Brown, Adam Faith and Billy Fury in
addition to the bona-fide hit, 'Mrs. Brown,
You've Got a Lovely Daughter' for Herman's
Hermits.
Back in the summer of 1963, given the choice
between nipping just around the corner to
catch The Big 'O', The Fabs and Gerry & his
mates at the local fleapit, or heading off to
Southend-on-Sea to work on my inflatable ball
balancing routine....well, it would've been
no contest really.
Mind you, if someone had
told me about Erkey Grant (& the Earwigs), I'd
like to think that my answer might've been
quite different.
Early in 1972, I was in the East Ham branch of the Co-op when I spotted this beauty. I believe it was 72p, which I had to beg from my parents. I knew of T.Rex from classroom chatter & might even have already owned Jeepster & Telegram Sam on 7" singles, but this was my first 'pop' LP. Unbeknown to me at the time, it was a just a watered down version of the Fly release 'The Best of T.Rex' with the hit title track added & housed in a hideous sleeve, but it was with this album that my black & white life became colour. All roads lead back to this moment.