Monday Long Song

If you've been lucky enough to see the great Martin Carthy in concert at any point over the past 50 years, there's a very good chance that you would've heard him perform the daunting 17th century ballad, 'Famous Flower of Serving Men'. As well as being an a staple of his live repertoire, Carthy has also recorded the 32 verse epic on several occasions throughout his career, firstly on 'Shearwater' in 1972 (listen below), again on 'Waiting For Angels' in 2006 and finally the intimate spoken word interpretation on last year's 'Transform Me Then Into a Fish'. There was also an Andy Kershaw session version in 1988, an appearance on limited live album 'At Ruskin Mill' in 2005 and another on a Leigh Folk Festival compilation in 2011. 

I've seen Martin Carthy play 'Famous Flower of Serving Men' perhaps a dozen times over the years, most recently in 2024 - a beautifully frail and hesitant performance. He spoke that day of how the song had captivated him and that he'd returned to it time and again because he never felt that he'd quite nailed it. He was wrong of course. He nailed it every single time. Sadly there will be no more opportunities to see this remarkable man in concert, or to hear further renditions of the song that he's wrestled with for so long. Last month Martin was diagnosed with late-onset Alzheimer's Disease, scuppering plans for a farewell tour with his daughter Eliza that was due to start in the middle of February.

Famous Flower of Serving Men

Version City #75 - Jackie Oates sings Longpigs and The Cure

You find me momentarily pausing in my attempts to chuck every permutation of clothing into a bag while simultaneously rummaging through cupboards in search of my inflatable mattress. Tomorrow morning I'm off to FolkEast, my annual brief concession to what Evan Dando memorably described as being the outdoor type. I'll be sleeping under the stars (well, under canvas under the stars to be precise, but you get my drift) for three nights and catching as many bands as possible at my one festival of the year. Somewhere near the top of my 'to see' list is a rare set by The Imagined Village, the ever-evolving, genre-bending supergroup featuring Martin & Eliza Carthy, Billy Bragg, Simon Emmerson of Afro-Celt Sound System, sitar player Sheema Mujherjee, tabla percussionist Johnny Kalsi and drummer Andy Gangadeen. Also in the line-up (I hope) will be Jackie Oates, someone who I've wanted to see in concert for a very long time. True, on this occasion she'll just be part of the band, but I hope she gets to step forward for at least one or two numbers. Jackie is about to release her eighth solo album and she's made others in tandem with fellow artists such as Megan Henwood and John Spiers. They're all recommended and many of them are available to sample on her Bandcamp page (here).

For the purposes of this feature (the first new instalment since January 2021!) here are a couple of absolutely breathtaking covers by Jackie. The Cure's 'Untitled' was recorded for 'Life's What You Make It', a compilation of  various folkies tackling 1980s hits, while 'On and On' will appear on that new solo album I mentioned, 'Gracious Wings'. Steel yourself for these.

Finally, as a little light relief after those jaw-dropping beauties, here's a stripped down line-up of The Imagined Village from ten years ago with Martin and Eliza to the fore, tackling Slade's 'Cum on Feel the Noize'. 

Monday Long Song(s)

Both Eliza Carthy and her legendary dad Martin are making plans to hit the road again, individually and occasionally as a duo, following the immense loss of Norma Waterson at the end of January. I've seen Martin several times in the relatively recent past, but when I catch up with Eliza in the Summer, it'll be for the first time in at least ten years.

Here's a set from Eliza's self-titled 1997 album with the King's of Calicutt and Martin with the terrific 2006 re-recording of  'Famous Flower of Serving Men', an epic murder ballad I've been privileged to see him play a few times and which originally appeared in an earlier incarnation on his 1972 LP 'Shearwater'. 

Eliza Carthy and the Kings of Calicutt - Sheffield Park / Polly Bishop's Slip Jig / Roger de Coverley

Martin Carthy - Famous Flower of Serving Men

Martin Carthy

On Sunday evening, in a basement space little bigger than my living room, Martin Carthy gave a two hour folk tradition masterclass to a riveted 50-strong audience. From 'High Germany', the very first track on his very first album in 1965, to 'Her Servant Man' from 2014's 'The Moral Of The Elephant' (his most recent LP, recorded with daughter Eliza), Carthy cherry-picked tunes from a vast repertoire, offering extensive background information to every song as well as crediting all the relevant sources in each case. 'The Bedmaking' from 1976's 'Crown of Horn', an epic 'Famous Flower Of Serving Men' from 2006's 'Waiting for Angels' and 'Georgie' from 1998's 'Signs of Life' were a few of the many high-points, as was an acapella romp through 'Oor Hamlet', which was a complete hoot that had us all in stitches. Best of the lot though was 'Bill Norrie', a tragic ballad originally recorded for 'Right of Passage' in 1988, but these days delivered at a considerably slower pace, an arrangement that only adds further gravitas to the sombre subject matter. This poor quality audience recording of 'Bill Norrie' from last year merely hints at how jaw-dropping Martin's performance of the song was on Sunday.

Martin Carthy

Looking back through my old emails (I never delete anything), I note that the first concert ticket I bought for 2015 was actually purchased on December 28th 2014. The gig in question was the great Martin Carthy, who, back in February, played to an audience of around 200 in the beautiful surroundings of a 17th Century octagonal chapel.

Earlier today I booked my first concert ticket for 2016 and once again it's for Martin Carthy, though this time I have to wait a full five months, until mid-March, for the show. The venue on this occasion is a tiny basement room where I've previously seen both Hot Feet and David Thomas Broughton. Capacity? I reckon if they try to squeeze more than 75 through the door we'll have to hold our breath. 

One of the many highlights of Martin's performance in February was his solo interpretation of 'Her Servant Man', a song originally recorded with his daughter Eliza on their 2014 LP 'The Moral of the Elephant'.