Saturday, 29 March 2014
Three For a Laugh
I'm heading out of town for 48 hours and, despite my best efforts, I've run out of time
to get a proper post together before I go.
Instead, I'll leave you with three short
clips that bring a smile to my lips. A
classic from The Goons, an inspired moment of
daftness that we can all relate to from the
recent, patchy, 'Life Of Rock With Brian
Pern' and the genius of Kevin Eldon from 'Big
Train'.
Thursday, 27 March 2014
Higgins Waterproof Black Magic Band
I'm indebted to Steve Lamacq for alerting me to
Tunde Adebimpe's new project, Higgins
Waterproof Black Magic Band. I'll make time
in my life to check out whatever any member
of TV on the Radio is up to, but this one
slipped by me, at least until now.
Here's a live version of 'Mad Lifeline', from
the band's debut EP, along with a remix of
the same tune by Massive Attack's 3D. Check
out the whole EP here.
Saturday, 22 March 2014
Three For Dreaming
Our pal Singing Bear, over at Grown Up Backwards, has been discussing dreams just lately (see here). Inspired by these excellent posts and the fascinating follow-up comments from his readers, here are three tunes with a dream theme.
Labels:
Dreams,
Micah P Hinson,
Quantic,
R Webb & Liz,
Three For
Thursday, 20 March 2014
Saturday Scratch #36 - Special Birthday Edition
Yesterday, I journeyed East. East of the River
Waveney. I ventured as far East as the road
would take me, to the most Easterly point of
the British Isles in fact. I travelled to see
the legendary Lee Scratch Perry in concert,
on the eve of his 78th birthday....in a
nightclub....on a pier...in Lowestoft. You
couldn't make it up.
Aided and abetted by the current incarnation of The Upsetter Band, Scratch was on sparkling form throughout and considerably more focussed than when I last saw him 11 years ago. Between songs he exchanged greetings, words of wisdom and fist-pumps with the audience, before turning to the band and asking,'What now?' They responded by kicking in the next rhythm (sometimes familiar, sometimes not), over which Perry intertwined freeform ideas and phrases with occasional snatches of the song's original lyrics.
We were treated to smatterings from Scratch's association with Bob Marley, 'Sun is Shining', 'Jah Live' and 'Crazy Baldhead', the latter featuring shoutouts to individual members of the Royal Family, as well as other rhythms from his vast catalogue such as George Faith's 'To Be a Lover (Have Mercy)' and his own 'Roast Fish and Cornbread'.
Scratch seemed unconcerned at the abysmal turnout (around 150 in a venue with a near 900 capacity), obligingly grinning everytime he spotted a camera pointed at him and complimenting individual audience members left and right - 'I like your hair', 'I like your hat'. Finally, after 90 minutes, he sang 'Goodbye, bye, bye, bye, I got to go...' before leaving us with perhaps a little too much information '...I got to take a piss'.
Here's George Faith's original 1977 Jamaican 12" version of William Bell's 'To Be a Lover', featuring a brief cameo from Scratch himself towards the end.
Many happy returns of the day Mr Perry.
Aided and abetted by the current incarnation of The Upsetter Band, Scratch was on sparkling form throughout and considerably more focussed than when I last saw him 11 years ago. Between songs he exchanged greetings, words of wisdom and fist-pumps with the audience, before turning to the band and asking,'What now?' They responded by kicking in the next rhythm (sometimes familiar, sometimes not), over which Perry intertwined freeform ideas and phrases with occasional snatches of the song's original lyrics.
We were treated to smatterings from Scratch's association with Bob Marley, 'Sun is Shining', 'Jah Live' and 'Crazy Baldhead', the latter featuring shoutouts to individual members of the Royal Family, as well as other rhythms from his vast catalogue such as George Faith's 'To Be a Lover (Have Mercy)' and his own 'Roast Fish and Cornbread'.
Scratch seemed unconcerned at the abysmal turnout (around 150 in a venue with a near 900 capacity), obligingly grinning everytime he spotted a camera pointed at him and complimenting individual audience members left and right - 'I like your hair', 'I like your hat'. Finally, after 90 minutes, he sang 'Goodbye, bye, bye, bye, I got to go...' before leaving us with perhaps a little too much information '...I got to take a piss'.
Here's George Faith's original 1977 Jamaican 12" version of William Bell's 'To Be a Lover', featuring a brief cameo from Scratch himself towards the end.
Many happy returns of the day Mr Perry.
Labels:
George Faith,
Lee Perry,
Live,
Reggae,
Saturday Scratch
Friday, 14 March 2014
Three For the Love of Pop
There are some genuinely great pop singles
around at the moment. These three in particular are on heavy rotation round our way.
Labels:
Joan As Police Woman,
Metronomy,
Perfect Pop,
Real Estate,
Three For
Wednesday, 12 March 2014
Car Boots at Dawn
Last Wednesday at the crack of dawn, Mrs S &
I sharpened our elbows and headed out to the
first car boot sale of the season. We like a
good rummidge and the first few events of the
year are often the best. People who spend the
winter sorting out their back room, shed or
loft, stockpiling boxes of gubbins, arrive
with carloads of accumulated tat, which we
love to poke through. The mild weather
ensured brisk business, probably around 250
stalls by the heat of the morning, though
when we returned to the same venue on Sunday
there were over 600.
While Mrs S filled her boots (and our boot)
with vintage bits & bobs, I came home with a
far more modest, though no less exciting haul
- a 1962 EP of Wally Whyton singing
children's favourites anyone? Also in my bag
of goodies, not for the first time, were
several old photos. If I see 'em and they
look interesting, I just can't walk by on the
other side. Take this one for instance. In
the middle of a box of run of the mill family
snapshots were these guys. What's going on?
Why the hats? The chaps at each end look
reluctant participants, but the main group
are having a whale of a time - I sense that
alcohol might be involved.

While we're at it, here's a considerably older photo showing how much a relaxing day at the beach has changed over the last hundred years.
This morning's car boot, despite the initial thick fog, was equally busy and my haul included a small painting, a few singles, a bag of early 20th century postcards, a John McLaughlin LP...and more photos. Well worth the early start. I'll be sure to report back with anything of interest that I pick up over the summer, though I'll have to go some to top my best ever car boot acquisition from about 20 years ago....but that's another story.
While Mrs S filled her boots (and our boot)
with vintage bits & bobs, I came home with a
far more modest, though no less exciting haul
- a 1962 EP of Wally Whyton singing
children's favourites anyone? Also in my bag
of goodies, not for the first time, were
several old photos. If I see 'em and they
look interesting, I just can't walk by on the
other side. Take this one for instance. In
the middle of a box of run of the mill family
snapshots were these guys. What's going on?
Why the hats? The chaps at each end look
reluctant participants, but the main group
are having a whale of a time - I sense that
alcohol might be involved.While we're at it, here's a considerably older photo showing how much a relaxing day at the beach has changed over the last hundred years.
This morning's car boot, despite the initial thick fog, was equally busy and my haul included a small painting, a few singles, a bag of early 20th century postcards, a John McLaughlin LP...and more photos. Well worth the early start. I'll be sure to report back with anything of interest that I pick up over the summer, though I'll have to go some to top my best ever car boot acquisition from about 20 years ago....but that's another story.
)
Monday, 10 March 2014
Version City #24 - Loose Fur sing Tyrannosaurus Rex
I read recently that four Marc Bolan albums
are about to get another deluxe reissue
treatment. They are, transitional delights 'A
Beard of Stars' and 'T.Rex', the last LP of
the 'classic' period, 'Tanx' and the
sprawling, experimental, some might even say
self-indulgent, 'Zinc Alloy & the Hidden
Riders of Tomorrow'. Each album comes with
the requisite plethora of bonus tracks, demos
and out-takes.
The news made me stop and calculate just how many times I've been here before. 'A Beard of Stars' 5, 'T.Rex' 4, 'Tanx' 5 and 'Zinc Alloy' 4 - that's the number of times I've bought each of these albums on various formats over the years. The previous reissue programme, in the early noughties, threw up some fascinating bonus tracks and I'm sure there are many more to be discovered here. No doubt some of the rarities from the last go round aren't duplicated this time, so the completest in me would need to keep those older versions too. These LPs are important to me and will always be in my collection in some form or other, but can I really justify buying them all yet again?
Considering T.Rex were my first love, you might expect that one of their titles would be my most purchased LP - not so. That honour is shared between Dylan's 'Blonde on Blonde' and 'Kind of Blue' by Miles Davis, each of which I've shelled out for a remarkable 7 times in various versions! I'm sure many reading this will have purchased a few favourite albums at least three times - the original LP, the first CD issue and a remastered upgrade. Many of the core components of my collection are into at least their third copies. Dylan, Bolan, The Clash, Triffids, Marley, Miles Davis, Costello, John Coltrane, Robyn Hitchcock - virtually entire catalogues replaced at least twice, sometimes more. If I hadn't spent so much money upgrading stuff I already had, I could've bought another couple of hundred different albums. It makes you think.
But wait, I've let my duplication dilemma run away with me. I originally mentioned the Bolan reissues as a way of introducing an inspired cover of 'Organ Blues' from 'A Beard of Stars'. Loose Fur, the band formed by Wilco's Jeff Tweedy, producer/experimental musician Jim O'Rourke and drummer Glenn Kotche, released two LPs, an eponymous debut in 2003 and the brilliant 'Born Again in the USA' in 2006, but this lo-fi performance was recorded at their first ever gig, back in May 2000, after only a couple of days rehearsal.
The news made me stop and calculate just how many times I've been here before. 'A Beard of Stars' 5, 'T.Rex' 4, 'Tanx' 5 and 'Zinc Alloy' 4 - that's the number of times I've bought each of these albums on various formats over the years. The previous reissue programme, in the early noughties, threw up some fascinating bonus tracks and I'm sure there are many more to be discovered here. No doubt some of the rarities from the last go round aren't duplicated this time, so the completest in me would need to keep those older versions too. These LPs are important to me and will always be in my collection in some form or other, but can I really justify buying them all yet again?
Considering T.Rex were my first love, you might expect that one of their titles would be my most purchased LP - not so. That honour is shared between Dylan's 'Blonde on Blonde' and 'Kind of Blue' by Miles Davis, each of which I've shelled out for a remarkable 7 times in various versions! I'm sure many reading this will have purchased a few favourite albums at least three times - the original LP, the first CD issue and a remastered upgrade. Many of the core components of my collection are into at least their third copies. Dylan, Bolan, The Clash, Triffids, Marley, Miles Davis, Costello, John Coltrane, Robyn Hitchcock - virtually entire catalogues replaced at least twice, sometimes more. If I hadn't spent so much money upgrading stuff I already had, I could've bought another couple of hundred different albums. It makes you think.
But wait, I've let my duplication dilemma run away with me. I originally mentioned the Bolan reissues as a way of introducing an inspired cover of 'Organ Blues' from 'A Beard of Stars'. Loose Fur, the band formed by Wilco's Jeff Tweedy, producer/experimental musician Jim O'Rourke and drummer Glenn Kotche, released two LPs, an eponymous debut in 2003 and the brilliant 'Born Again in the USA' in 2006, but this lo-fi performance was recorded at their first ever gig, back in May 2000, after only a couple of days rehearsal.
Labels:
Cover Versions,
Loose Fur,
Marc Bolan,
t.rex,
Tyrannosaurus Rex,
Version City,
Wilco
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