Wednesday, 19 September 2018
In Another Life
Do you have a spare 24-odd minutes to listen to a new song? No, I wasn't sure that I had either. Sandro Perri's latest album 'In Another Life' popped into my field of view just over a week ago (and was released last Friday). The name rang bells. Mrs S and I picked up a couple of his albums somewhere around 2007, one of which, 'Tiny Mirrors', became a particular favourite in the house for a while. As is the way of these things, Sandro took quite a while to follow up 'Tiny Mirrors' and he fell off my radar, so when I happened to read about the new album I was curious to find out what he's up to these days. It was with some surprise that I noted the extreme length of the title track and intended to check just a few minutes of it, before flicking on through the rest of the LP. 24 minutes later I was still there, absorbed.
Nothing dramatic happens in 'In Another Life'. Sandro delivers verse after verse over a gently noodling guitar and tinkling electronic backdrop and even as it finally crumbles and fades, I still feel good to go for another 20 minutes. One reviewer likened the song to '...a zen blues...' A good description.
Wednesday, 12 September 2018
Joey Ramone - A New York Moment
Over at The (New) Vinyl Villan, the Imaginary Compilation Album series continues to go from strength to strength. A couple of days ago, our mutual friend Dirk kept the bar way up high with a terrific Ramones ICA. Dirk concluded his ICA with the entertaining tale of how he narrowly missed meeting Joey Ramone in 1991. Nine years later I had my own near miss with the great man.
On the afternoon of April 15th 2000, the last day of my 39th year, walking alone through the East Village in Manhattan, I crossed 3rd Avenue on 9th Street and noticed a small kerfuffle in a doorway to my right. There, towering above a throng of a dozen chattering fans, was Joey Ramone, signing autographs, talking to everyone at once, but clearly trying to edge inside the building. I fumbled in my backpack for some paper and a pen and waited patiently at the edge of the group. Joey remained unstintingly polite, in spite of the barrage of questions and bits of paper being thrust at him to sign, but gradually, and before it came to my turn, he eased himself into the foyer of the building and, with a wave through the glass door, he was gone.
So I didn't quite get to meet Joey that day, but it was a memorable New York Moment for me all the same. A moment that came spinning back 12 months later, when I opened a newspaper on the morning of my 41st birthday to find that Joey had passed away the previous afternoon, exactly one year after my close encounter with him. The extent of his illness hadn't been widely publicised, his death was a terrible shock and, 17 years on, we miss him still.
The Ramones - Swallow My Pride
On the afternoon of April 15th 2000, the last day of my 39th year, walking alone through the East Village in Manhattan, I crossed 3rd Avenue on 9th Street and noticed a small kerfuffle in a doorway to my right. There, towering above a throng of a dozen chattering fans, was Joey Ramone, signing autographs, talking to everyone at once, but clearly trying to edge inside the building. I fumbled in my backpack for some paper and a pen and waited patiently at the edge of the group. Joey remained unstintingly polite, in spite of the barrage of questions and bits of paper being thrust at him to sign, but gradually, and before it came to my turn, he eased himself into the foyer of the building and, with a wave through the glass door, he was gone.
So I didn't quite get to meet Joey that day, but it was a memorable New York Moment for me all the same. A moment that came spinning back 12 months later, when I opened a newspaper on the morning of my 41st birthday to find that Joey had passed away the previous afternoon, exactly one year after my close encounter with him. The extent of his illness hadn't been widely publicised, his death was a terrible shock and, 17 years on, we miss him still.
The Ramones - Swallow My Pride
Monday, 10 September 2018
Marisa Anderson
Marisa Anderson onstage at the Colchester Arts Centre
Anderson's timeless music draws from Gospel, Delta blues, rustic American country, Saharan drones and even, in the case of her interpretation of 'The Daemon Lover', the British folk tradition. She finished her main set with a mesmerising reading of 'Sant Feliu de Guíxols', my favourite tune from her latest LP 'Cloud Corner'. It remained firmly lodged in my noggin for the entire hour and a half drive home.
Thursday, 6 September 2018
If You're Alone and You Got the Shakes
Iggy Pop's always fascinating 6Music show finds him in grizzled elder statesman mode, a long way from my original introduction to the man and his music via the Iggy & the Stooges LP 'Raw Power'. In 1973 I dug deep into pocket money reserves to a secure copy of the album without having heard a note, based entirely on the Bowie connection and discovered that although I didn't know what the hell this music was, the dense onslaught of sound was utterly thrilling. At the same time, every article I read and photo I saw of the band frankly terrified me. I was 13 years old at the time and would subsequently meander through the highways and byways of Glam, Heavy Rock, Metal and Prog before reacquainting myself with exactly this kind of glorious racket towards the end of the 1970s.
Iggy & the Stooges - Raw Power
Head over to The (New) Vinyl Villan and enjoy Swiss Adam's excellent Iggy Pop ICA.
Tuesday, 4 September 2018
This One's For Dirk
The Nomads - Sometimes the Good Guys Don't Wear White
The Nomads - I'm 5 Years Ahead of My Time
Tuesday, 28 August 2018
Red Gold & Green #28 - Mikey Dread at the Controls
There we were, Dad and I, wandering around a school fete in Leytonstone forty nine years ago, when I spotted the Hackney Speedway stall tucked away in the corner of the playground. It was a tanner a go to sit on a bike and pretend for a moment to be a speedway rider. I joined the queue and waited my turn. A few minutes later as I sat in the saddle, oblivious to the hubbub around me, twisting the throttle and dreaming my dreams, a shutter clicked and, before I knew it, I was on the front page of the local newspaper. What can I say? It was a slow news week.'African Anthem (The Mikey Dread Show Dubwise)' is an album I'd happily recommend to anyone with even a passing interest in reggae. The LP does what it says on the tin, it being a joyous studio recreation of Mikey's famous Jamaican Broadcasting Company radio show of the late 1970s, complete with a selection of his own unique madcap jingles. The music was written, arranged and produced by Mikey and features a veritable who's who of 70s reggae among the cast of players - Sly Dunbar, Robbie Shakespeare, Ansel Collins, King Tubby, Augustus Pablo and Vin Gordon all contribute. 'African Anthem' was released in 1979 and has undergone several reissues in the years since, the latest of which apparently adds another half a dozen tunes to the original, virtually perfect, ten track running order.
Dread at the Controls - Headline News
Friday, 24 August 2018
One Year Ago
'The Future Past' by Fanatism is one of my more recent treats. The Stooges meet Ennio Morricone while listening to Can.....in Sweden. It's the debut LP from a band that includes members of Kungens Män and Automatism, other firm favourites of this parish. Dig in and enjoy.
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