At this point, though, either the money ran out or perhaps Scratch just lost faith in Burt's abilities, because instead of recording another tune to put on the flip-side of 'Honey Love', Perry simply plucked the original vocal out of the mix, reversed it and laid it back onto the rhythm, titling it 'Evol Yenoh'. This straight forward act transformed a sweet little pop song into an unhinged thing of disturbing weirdness, featuring Walters appearing to speak in tongues. Unsurprisingly, Trojan in the UK passed on 'Evol Yenoh', only allowing 'Honey Love' to sneak out as the b-side to an unrelated instrumental cut, 'Thunderstorm', by King Cannon Ball in December 1968.
Showing posts with label Burt Walters. Show all posts
Showing posts with label Burt Walters. Show all posts
Saturday, 11 October 2014
Saturday Scratch #40 - Burt Walters
Even in the often confusing world of Lee
Perry's huge supporting cast of characters,
the contribution of Burt Walters would surely
be seen as a minor one, were it not for a
typically inspired slice of Upsetter madness.
Discovered while singing barefoot on a street
corner in early 1968, Walters was quickly
whisked into the studio to voice a couple of
covers with Scratch at the controls. A re-written 'Blowin' in the Wind' (credited to
Bob Dillon), complete with low budget sound
effects, eventually appeared on the flip of
Perry's own classic, 'People Funny Boy'.
The only single to be issued under Burt
Walters' own name was a cover of the 1954
Drifters hit, 'Honey Love', which initially
released as a Jamaican only white label 7". It's
pleasant enough, I'm sure you'll agree.
At this point, though, either the money ran out or perhaps Scratch just lost faith in Burt's abilities, because instead of recording another tune to put on the flip-side of 'Honey Love', Perry simply plucked the original vocal out of the mix, reversed it and laid it back onto the rhythm, titling it 'Evol Yenoh'. This straight forward act transformed a sweet little pop song into an unhinged thing of disturbing weirdness, featuring Walters appearing to speak in tongues. Unsurprisingly, Trojan in the UK passed on 'Evol Yenoh', only allowing 'Honey Love' to sneak out as the b-side to an unrelated instrumental cut, 'Thunderstorm', by King Cannon Ball in December 1968.
At this point, though, either the money ran out or perhaps Scratch just lost faith in Burt's abilities, because instead of recording another tune to put on the flip-side of 'Honey Love', Perry simply plucked the original vocal out of the mix, reversed it and laid it back onto the rhythm, titling it 'Evol Yenoh'. This straight forward act transformed a sweet little pop song into an unhinged thing of disturbing weirdness, featuring Walters appearing to speak in tongues. Unsurprisingly, Trojan in the UK passed on 'Evol Yenoh', only allowing 'Honey Love' to sneak out as the b-side to an unrelated instrumental cut, 'Thunderstorm', by King Cannon Ball in December 1968.
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