The oral history of Toumani Diabaté's Malian family tells that he is the 71st consecutive generation of musician in a patrilineal line. Last Thursday evening he appeared in concert with the 72nd generation, his son Sidiki. Toumani, probably the world's greatest living exponent of the Kora, provided the gravitas and experience, while Sidiki, encouraged by his Father, pushed, prodded and improvised in a slightly more attacking fashion, driving his tradition forward. Together, the music they made verged on the other-worldly.
Showing posts with label Toumani Diabaté. Show all posts
Showing posts with label Toumani Diabaté. Show all posts
Tuesday, 27 May 2014
Toumani and Sidiki Diabaté
The Kora is a beautiful and mysterious instrument. It faces
towards the player, who makes very little
physical movement, yet simultaneously
creates the rhythm, melody and
improvisational flourishes for each piece.
There are no pedals, gadgets or loops, just
21 strings.
The oral history of Toumani Diabaté's Malian family tells that he is the 71st consecutive generation of musician in a patrilineal line. Last Thursday evening he appeared in concert with the 72nd generation, his son Sidiki. Toumani, probably the world's greatest living exponent of the Kora, provided the gravitas and experience, while Sidiki, encouraged by his Father, pushed, prodded and improvised in a slightly more attacking fashion, driving his tradition forward. Together, the music they made verged on the other-worldly.
The oral history of Toumani Diabaté's Malian family tells that he is the 71st consecutive generation of musician in a patrilineal line. Last Thursday evening he appeared in concert with the 72nd generation, his son Sidiki. Toumani, probably the world's greatest living exponent of the Kora, provided the gravitas and experience, while Sidiki, encouraged by his Father, pushed, prodded and improvised in a slightly more attacking fashion, driving his tradition forward. Together, the music they made verged on the other-worldly.
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