Showing posts with label Nic Jones. Show all posts
Showing posts with label Nic Jones. Show all posts

Thursday, 9 April 2026

O’er the High, High Hills and Down Yon Dowy Den


It's way too early to speculate on what might end up being my favourite album of 2026, though I'd put good money on Goblin Band's newly released 'Clyde Water' finishing the year as my favourite single. 'Clyde Water', a Scottish ballad dating from the early 19th century, has been interpreted previously by a range of notable artists such as Kate Rusby, Martin Carthy, Ewan MacColl, Anaïs Mitchell and Jon Boden, though for me no-one grasped the epic tale by the throat in quite the way that Nic Jones did. The song appeared on Jones' 1980 masterpiece 'Penguin Eggs' as 'The Drowned Lovers', an alternative title that is a bit of a plot-spoiler to be honest and indeed its original title was duly restored for the release of two subsequent live versions. 


Thursday, 23 October 2014

Nic and Joe Jones - In Concert

As the house lights dim, Nic Jones appears from the side curtain, puts down his walking stick and makes his way unsteadily across the stage, pausing to wave and bow to the cheering and already emotional audience. Behind him, Joe, rake thin, jet black hair, steps to the microphone to affectionately address his Dad. 'What are you bowing for? You haven't done anything yet!' Later, Nic introduces Bill Worsfold's, 'I Only Spoke Portuguese', by explaining that it's the true story of a couple, neither of whom spoke the other's language, who were therefore unable to speak directly to each other throughout their long marriage. Joe, busy re-tuning his guitar, looks up for long enough to mutter, 'Yes, I expect Mum would've quite liked that...' Badum tish!

The set, beautifully paced, is weighted towards the classic 'Penguin Eggs' LP and for the latter part of the concert Nic and Joe are joined on stage by the original melodeon player on that record, East Anglian native, Tony Hall. The significance of this reunion isn't lost on Joe who stands strumming gently, grinning from ear to ear, between the two men, as they delicately rekindle their musical relationship. Not for the first time this evening, high emotion threatens to overshadow the moment and it's skillfully diffused by Tony Hall's quip after Joe introduces 'The Little Pot Stove'. 'What are we playing now?' he asks, pretending not to have caught Joe's announcement, 'The Little Pot Noodle?'

Joe, an astounding player, prompts approving smiles and warm paternal applause several times during the concert, Father and Son lightheartedly disagreeing about just how much guitar know-how Nic has passed on to Joe. 'Three chords' says Joe, 'No - I just told you how to hit the thing!' counters Nic. Though he's understandably frail, Nic's voice is strong, his phrasing undiminished. A towering presence, thought lost to us forever, but, against all odds, here he is, performing again. Long may he continue. An unforgettable evening.


(Nic and Joe in 2011)
(More Nic Jones here)

Wednesday, 21 May 2014

Nic Jones

It's something that until 2010 was utterly unthinkable. Even after his unexpected re-emergence it was going to be very, very unlikely. I'm talking about the fact that this afternoon I purchased a ticket to see the great Nic Jones in concert. I've typed the sentence, but can still barely believe it's true. After four years of sporadic festival appearances, Nic and his son Joseph have announced a short tour of small venues in October, so if you live in, or near, Swansea, Leicester, Bristol, Birmingham, Norwich or Lewes, get over to Nic's official website and bag yourself a ticket pronto. These will be emotionally charged evenings.

Wednesday, 7 August 2013

Nic Jones

My thanks go to the always wonderful Caught By the River for pointing me in the direction of a moving Radio 4 documentary, 'In Search of Nic Jones'. The programme doesn't seek to comprehensively detail Nic's career, but rather examines the man and his music, before and after his life-changing accident, via contributions from friends and family.

Nic is there too of course, modest, unassuming and seemingly without a trace of bitterness. He is content that the past can't be changed and is, to all intents and purposes, irrelevant - what matters to him most, is the 'Now'.


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