Steve Diggle

In November 1979 I sat backstage at the Lyceum Ballroom in London and helped to interview Buzzcocks (no definite article) for a friend's fanzine. My pals and I had shambolic conversations after the show with Steve Diggle and, less enthusiastically, Pete Shelley that were somehow stretched over two issues of said journal.

Shelley may be the songwriting genius, but I've long considered Diggle to be the engine room of the band - pushing, driving and cajoling - not to mention throwing a few shapes for all he's worth! That being said, over the years Steve Diggle has come up with a fair few little nuggets of his own.

Today is Diggle's 57th birthday and it's (unbelievably) 33 years since he was good enough to give some of his time to a bunch of ne'er-do-wells with a cheap cassette player and access to a photo-copier.

Happy birthday Steve - here's one of your nuggets.

Grant McLennan

Tomorrow marks the sixth anniversary of the sudden passing of Grant McLennan at just 48 years of age. He was the writer of 'Cattle and Cane', the song that got me into The Go-Betweens back in 1983.

While band were on hiatus during the 1990s, McLennan released four consistently strong solo albums, all of which I'd recommend unreservedly.

Here's 'Lighting Fires' from the second of those solo albums, 1993's 'Fireboy', which, bizarrely, was also included on the American version of the following year's 'Horsebreaker Star'.

R.I.P. MCA

Doppelgänger - A New York Moment

In New York on one of my occasional Stateside trips to visit relatives, I was walking on The Bowery one balmy evening in 2005, zigzagging across the street between the gridlocked traffic.

'Hey man...' a voice called out from an open car window, '..hey...Robyn Hitchcock...I love your music...' 

At the time my grey hair was fairly unkempt and I was wearing a black & white polka dot shirt. I'm also quite tall, so I guess it's a plausible mistake, not to mention a flattering one - I've been a fan of the great man since The Soft Boys' 'A Can of Bees' LP in 1979.

I half-smiled in the guy's direction as the traffic moved on and then noticed a small spring in my step. It was the first time I'd ever been mistaken for someone even slightly well-known - and it was someone I liked!

My second experience as a doppelgänger (this time of a different musician) was in the same city a few years later and in a slightly more public arena....but that's another story. 

For now here's Robyn in 2010, performing a pretty obscure 1988 b-side and a long-time favourite song, Ghost Ship.

(I met Robyn Hitchcock once in the late 1990s and neither of us - or anyone else in the room - remarked upon any physical similarities between us!)

Richard Swift

This time last night I was flicking through some Damien Jurado songs thinking I might post one, but couldn't make a decision, so I put the idea on the back-burner.

Imagine my spooked-outness this morning when I found that sfw over at Tune Doctor had the same idea - and what a fine choice he made!

Here's a tune from Damien Jurado's current producer Richard Swift. When asked to describe his music I usually say a 21st Century Harry Nilsson, but in addition to being a terrific singer/songwriter, multi- instrumentalist and producer, he's also a  film-maker and photographer - oh yes, and he's currently a member of The Shins.

The Old Pals' Act

I must have met The Prisoner of Mars around 20 years ago. He's a man of exquisite taste and prodigious talent and currently has a couple of albums available as free downloads here.

The majority of his music is self composed, but here's his psyched-up take on the Bee Gees 'Idea'.

Something Else!

We've had an abundance of the sweet pop stuff in the past few days, so to cleanse the palette for the week ahead, I've dug out a little free jazz.

Credited to James Blood Ulmer, this is actually more of a collaborative effort with the mighty Ornette
Coleman on alto sax, Jamaaladeen Tacuma on bass and Ornette's son Denardo on drums.

Ornette Coleman's first three albums, issued at the end of the 1950s are essential components of any jazz
collection. This, however, comes from 1978 and finds him still pushing the music forward. If you like this,
check out his crackling 1976 set 'Dancing in Your Head.'